27C982677562
Nguyen's tridents are complete periodic embedded translating surfaces in $\mathbb R^3$ obtained by desingularizing a grim-reaper cylinder and a plane. We use unit upward velocity $e_3$, so $M_ t=M_0+t e_3$ for all $t\in \mathbb R$. There is no explicit global formula for the completed translator.
They are noncompact and have infinite genus. A repeating row of Scherk saddle connections resolves the intersection; the intersecting input surfaces are not themselves a trident.
In the upward convention there is one asymptotic plane as $z\to -\infty $ and three parallel asymptotic planes as $z\to +\infty $. These describe height-direction asymptotics, not a count of topological ends of the full periodic surface.
Nguyen's construction applies at sufficiently small positive scales. The later semigraphical construction agrees with these examples in that range; its tridents are properly embedded and have entropy $3$ [HMWTridents22], Theorem 1 and pp. 2–3. This entropy is not identified with centered Gaussian area.
The local minimal ingredient is $\sin v=\sinh u\sinh w$, with $(u,v,w)\in \mathbb R^3$ and period $2\pi $ in $v$. Its four wings are attached to two planar wings and two grim-reaper wings. In the unit upward convention the limiting inputs are $z=-\log \cos y$, $|y|<\pi /2$, $x\in \mathbb R$, and the plane $y=0$. See [Nguyen09], Theorem 1, Sections 1.2–1.4 and Section 2 (Definitions 4–5), and [HMWTridents22], Figures 1–2. The latter figures use downward translation; here height is reflected.
The interactive picture is an original smooth deformation of the Scherk ingredient, with three periods shown. Its half-surface view exposes the saddle connections. Its neck scale is a drawing parameter: the unbalancing, cutoff matching, and final nonlinear correction in Nguyen's proof have not been computed. In particular, its fixed illustrative half-width $\pi /2$ is the limiting input width, not the width of a finite-period trident. See [HIMWNotes19], Sections 4–5, for the survey comparison with the simply connected pitchfork.
Comments
Comments are not enabled yet.